Welcome to TiddlyWiki created by Jeremy Ruston, Copyright © 2007 UnaMesa Association
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<link rel='alternate' type='application/rss+xml' title='RSS' href='index.xml' />
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Background: #fff
Foreground: #000
PrimaryPale: #8cf
PrimaryLight: #18f
PrimaryMid: #04b
PrimaryDark: #014
SecondaryPale: #ffc
SecondaryLight: #fe8
SecondaryMid: #db4
SecondaryDark: #841
TertiaryPale: #eee
TertiaryLight: #ccc
TertiaryMid: #999
TertiaryDark: #666
Error: #f88
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a:hover {background-color:[[ColorPalette::PrimaryMid]]; color:[[ColorPalette::Background]];}
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/*{{{*/
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body {font-size:.75em; font-family:arial,helvetica; margin:0; padding:0;}
h1,h2,h3,h4,h5,h6 {font-weight:bold; text-decoration:none;}
h1,h2,h3 {padding-bottom:1px; margin-top:1.2em;margin-bottom:0.3em;}
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h2 {font-size:1.25em;}
h3 {font-size:1.1em;}
h4 {font-size:1em;}
h5 {font-size:.9em;}
hr {height:1px;}
a {text-decoration:none;}
dt {font-weight:bold;}
ol {list-style-type:decimal;}
ol ol {list-style-type:lower-alpha;}
ol ol ol {list-style-type:lower-roman;}
ol ol ol ol {list-style-type:decimal;}
ol ol ol ol ol {list-style-type:lower-alpha;}
ol ol ol ol ol ol {list-style-type:lower-roman;}
ol ol ol ol ol ol ol {list-style-type:decimal;}
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.externalLink {text-decoration:underline;}
.indent {margin-left:3em;}
.outdent {margin-left:3em; text-indent:-3em;}
code.escaped {white-space:nowrap;}
.tiddlyLinkExisting {font-weight:bold;}
.tiddlyLinkNonExisting {font-style:italic;}
/* the 'a' is required for IE, otherwise it renders the whole tiddler in bold */
a.tiddlyLinkNonExisting.shadow {font-weight:bold;}
#mainMenu .tiddlyLinkExisting,
#mainMenu .tiddlyLinkNonExisting,
#sidebarTabs .tiddlyLinkNonExisting {font-weight:normal; font-style:normal;}
#sidebarTabs .tiddlyLinkExisting {font-weight:bold; font-style:normal;}
.header {position:relative;}
.header a:hover {background:transparent;}
.headerShadow {position:relative; padding:4.5em 0em 1em 1em; left:-1px; top:-1px;}
.headerForeground {position:absolute; padding:4.5em 0em 1em 1em; left:0px; top:0px;}
.siteTitle {font-size:3em;}
.siteSubtitle {font-size:1.2em;}
#mainMenu {position:absolute; left:0; width:10em; text-align:right; line-height:1.6em; padding:1.5em 0.5em 0.5em 0.5em; font-size:1.1em;}
#sidebar {position:absolute; right:3px; width:16em; font-size:.9em;}
#sidebarOptions {padding-top:0.3em;}
#sidebarOptions a {margin:0em 0.2em; padding:0.2em 0.3em; display:block;}
#sidebarOptions input {margin:0.4em 0.5em;}
#sidebarOptions .sliderPanel {margin-left:1em; padding:0.5em; font-size:.85em;}
#sidebarOptions .sliderPanel a {font-weight:bold; display:inline; padding:0;}
#sidebarOptions .sliderPanel input {margin:0 0 .3em 0;}
#sidebarTabs .tabContents {width:15em; overflow:hidden;}
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.wizardStep {padding:1em 1em 1em 1em;}
.wizard .button {margin:0.5em 0em 0em 0em; font-size:1.2em;}
.wizardFooter {padding:0.8em 0.4em 0.8em 0em;}
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#messageArea a {text-decoration:underline;}
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.popup {position:absolute; z-index:300; font-size:.9em; padding:0; list-style:none; margin:0;}
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.tab {margin:0em 0em 0em 0.25em; padding:2px;}
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.tabContents li.listLink { margin-left:.75em;}
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#displayArea {margin:1em 17em 0em 14em;}
.toolbar {text-align:right; font-size:.9em;}
.tiddler {padding:1em 1em 0em 1em;}
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.tagClear {clear:both;}
.footer {font-size:.9em;}
.footer li {display:inline;}
.annotation {padding:0.5em; margin:0.5em;}
* html .viewer pre {width:99%; padding:0 0 1em 0;}
.viewer {line-height:1.4em; padding-top:0.5em;}
.viewer .button {margin:0em 0.25em; padding:0em 0.25em;}
.viewer blockquote {line-height:1.5em; padding-left:0.8em;margin-left:2.5em;}
.viewer ul, .viewer ol {margin-left:0.5em; padding-left:1.5em;}
.viewer table, table.twtable {border-collapse:collapse; margin:0.8em 1.0em;}
.viewer th, .viewer td, .viewer tr,.viewer caption,.twtable th, .twtable td, .twtable tr,.twtable caption {padding:3px;}
table.listView {font-size:0.85em; margin:0.8em 1.0em;}
table.listView th, table.listView td, table.listView tr {padding:0px 3px 0px 3px;}
.viewer pre {padding:0.5em; margin-left:0.5em; font-size:1.2em; line-height:1.4em; overflow:auto;}
.viewer code {font-size:1.2em; line-height:1.4em;}
.editor {font-size:1.1em;}
.editor input, .editor textarea {display:block; width:100%; font:inherit;}
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.fieldsetFix {border:0; padding:0; margin:1px 0px 1px 0px;}
.sparkline {line-height:1em;}
.sparktick {outline:0;}
.zoomer {font-size:1.1em; position:absolute; overflow:hidden;}
.zoomer div {padding:1em;}
* html #backstage {width:99%;}
* html #backstageArea {width:99%;}
#backstageArea {display:none; position:relative; overflow: hidden; z-index:150; padding:0.3em 0.5em 0.3em 0.5em;}
#backstageToolbar {position:relative;}
#backstageArea a {font-weight:bold; margin-left:0.5em; padding:0.3em 0.5em 0.3em 0.5em;}
#backstageButton {display:none; position:absolute; z-index:175; top:0em; right:0em;}
#backstageButton a {padding:0.1em 0.4em 0.1em 0.4em; margin:0.1em 0.1em 0.1em 0.1em;}
#backstage {position:relative; width:100%; z-index:50;}
#backstagePanel {display:none; z-index:100; position:absolute; width:90%; margin:0em 3em 0em 3em; padding:1em 1em 1em 1em;}
.backstagePanelFooter {padding-top:0.2em; float:right;}
.backstagePanelFooter a {padding:0.2em 0.4em 0.2em 0.4em;}
#backstageCloak {display:none; z-index:20; position:absolute; width:100%; height:100px;}
.whenBackstage {display:none;}
.backstageVisible .whenBackstage {display:block;}
/*}}}*/
/***
StyleSheet for use when a translation requires any css style changes.
This StyleSheet can be used directly by languages such as Chinese, Japanese and Korean which need larger font sizes.
***/
/*{{{*/
body {font-size:0.8em;}
#sidebarOptions {font-size:1.05em;}
#sidebarOptions a {font-style:normal;}
#sidebarOptions .sliderPanel {font-size:0.95em;}
.subtitle {font-size:0.8em;}
.viewer table.listView {font-size:0.95em;}
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/*{{{*/
@media print {
#mainMenu, #sidebar, #messageArea, .toolbar, #backstageButton, #backstageArea {display: none ! important;}
#displayArea {margin: 1em 1em 0em 1em;}
/* Fixes a feature in Firefox 1.5.0.2 where print preview displays the noscript content */
noscript {display:none;}
}
/*}}}*/
<!--{{{-->
<div class='header' macro='gradient vert [[ColorPalette::PrimaryLight]] [[ColorPalette::PrimaryMid]]'>
<div class='headerShadow'>
<span class='siteTitle' refresh='content' tiddler='SiteTitle'></span>
<span class='siteSubtitle' refresh='content' tiddler='SiteSubtitle'></span>
</div>
<div class='headerForeground'>
<span class='siteTitle' refresh='content' tiddler='SiteTitle'></span>
<span class='siteSubtitle' refresh='content' tiddler='SiteSubtitle'></span>
</div>
</div>
<div id='mainMenu' refresh='content' tiddler='MainMenu'></div>
<div id='sidebar'>
<div id='sidebarOptions' refresh='content' tiddler='SideBarOptions'></div>
<div id='sidebarTabs' refresh='content' force='true' tiddler='SideBarTabs'></div>
</div>
<div id='displayArea'>
<div id='messageArea'></div>
<div id='tiddlerDisplay'></div>
</div>
<!--}}}-->
<!--{{{-->
<div class='toolbar' macro='toolbar [[ToolbarCommands::ViewToolbar]]'></div>
<div class='title' macro='view title'></div>
<div class='subtitle'><span macro='view modifier link'></span>, <span macro='view modified date'></span> (<span macro='message views.wikified.createdPrompt'></span> <span macro='view created date'></span>)</div>
<div class='tagging' macro='tagging'></div>
<div class='tagged' macro='tags'></div>
<div class='viewer' macro='view text wikified'></div>
<div class='tagClear'></div>
<!--}}}-->
<!--{{{-->
<div class='toolbar' macro='toolbar [[ToolbarCommands::EditToolbar]]'></div>
<div class='title' macro='view title'></div>
<div class='editor' macro='edit title'></div>
<div macro='annotations'></div>
<div class='editor' macro='edit text'></div>
<div class='editor' macro='edit tags'></div><div class='editorFooter'><span macro='message views.editor.tagPrompt'></span><span macro='tagChooser'></span></div>
<!--}}}-->
To get started with this blank TiddlyWiki, you'll need to modify the following tiddlers:
* SiteTitle & SiteSubtitle: The title and subtitle of the site, as shown above (after saving, they will also appear in the browser title bar)
* MainMenu: The menu (usually on the left)
* DefaultTiddlers: Contains the names of the tiddlers that you want to appear when the TiddlyWiki is opened
You'll also need to enter your username for signing your edits: <<option txtUserName>>
These InterfaceOptions for customising TiddlyWiki are saved in your browser
Your username for signing your edits. Write it as a WikiWord (eg JoeBloggs)
<<option txtUserName>>
<<option chkSaveBackups>> SaveBackups
<<option chkAutoSave>> AutoSave
<<option chkRegExpSearch>> RegExpSearch
<<option chkCaseSensitiveSearch>> CaseSensitiveSearch
<<option chkAnimate>> EnableAnimations
----
Also see AdvancedOptions
* integrate picasaweb pics
* doet de google anal het?
*restoration of old website? << an art-historians job, not mine :D
*import blog (the best and relevant stuff)
*import delicious stuff
Parts of this website are in Dutch, we will not make any efforts to translate these.
<html><<</html> These posts are in Dutch, recognizable with their *NL tag.
Type the text for '*video'
David Allen (#gtd) talks about when at work everything just works. That you are ¨just ON!¨. I like to raise that bar saying: I´m ON FIRE !!!
there is no such thing as clear thinking its just a nice euphonism for saying Im more adapted to the rigors of general semantics than others
there is always something good to say about anything
sommige verstandelijke gehandicapten zouden perfecte GTD-ers zijn, ze houden geen informatie vast maar ketsen het gelijk terug de wereld in.
(wijl opserverend naar jongen die op het treinstation als een soort mantra de hele tijd ¨METTTRROOOoooo¨ zegt
in een ideale wereld hebben we geen kunst nodig... Maar de wereld is helaas niet ideaal.
Sex is een van de grootste slagvelden tussen een persoon's subjectiviteit en objectiviteit; een existentieel wespennest.
Only art can break your heart
But only kitsch can make you rich
-unknown source?
we are all a bunch of schizophrenics, artists just know better how to cultivate themselves.
Type the text for '<<timeline>>'
"Kunst bestaat om de sensatie van het leven te herontdekkenl het bestaan om je de dingen te laten voelen, om steen weer stenig te maken".
-Sjklovsky
at-ti-tu-de (de ~ (v.), ~n/~s)
1 wijze waarop men over iets of iem. denkt => houding
¨Men zegt: een verstandig koopman verbergt zijn schatten, en doet zich voor als een arme: de volmaakte wijze wil naar buiten onwetend schijnen. Laat af uw hoogmoed En uw vele wensen, Alle uiterlijke schijn en De eerzuchtige plannen. Dit heb ik u te zeggen. Vaarwel!¨ (bron#16)
¨Niets is, dat niet goddelijk is. Daarom wil ik niets uitzonderen. Ik geef geen namen.Ik laat adel en schoonheid liggen, ik vraag niet naar recht, ik blijf niet staan bij slecht en lelijk. Goed en Deugdzaam gaan mij niet aan.¨(bron#36)
Een attitude is een verzameling gedragsdisposities en/of opvattingen die iets zegt over ons doen en laten. De samenhang tussen attitudes en directe handeling is gering. (bron#11)
http://en.wikipedia.org/wiki/Winzen_Research
As art sinks into paralysis, artists multiply. This anomaly ceases to be one if we realize that art, on it's way to exhaustion, has become both impossible and easy.
- Cioran
Background: #fff
Foreground: #000
PrimaryPale: #8cf
PrimaryLight: #18f
PrimaryMid: #04b
PrimaryDark: #014
SecondaryPale: #ffc
SecondaryLight: #fe8
SecondaryMid: #db4
SecondaryDark: #841
TertiaryPale: #eee
TertiaryLight: #ccc
TertiaryMid: #999
TertiaryDark: #666
Error: #f88
[[dennis@rechthoek.nl|mailto:dennis@rechthoek.nl]]
DDdW stands for Daniël Dennis de Wit
DDdW.org is his ´company/organisation´ which deploys activities mainly in the cultural sector.
see also:
http://www.dddw.org
"the ideal artistic product is first of all a risk that was taken, and something that could not have been said in any other way."
[[Welcome to Rechthoek.nl]]
<<timeline>>
"You do not really understand something unless you can explain it to your grandmother."
"Imagination is more important than knowledge."
Elke kunstenaar maakt geengageerd werk, echter op welke schaal hij zich richt verschilt nogal. Met engagement verstaan we normaliter 'verhouding tot iets' veelal krachten buiten ons. Over het algemeen denken we aan sociale/politieke krachten. Echter egagement kan ook betrekking hebben op universelere begrippen zoals 'de wet van de zwaartekracht'. Engagement is de relatie van een subjectieve betrokkenheid op een objectieve omstandigheid.
what is there to say about GTD... there has allready been to much said about it. Here some critique:
* I don´t want to do mindsweeps all the time, I need some thoughts in my head to grow
* How do you #next/action a emotion or an image or an notion?? or an aesthetical experience or existential feeling ??
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http://www.dumpert.nl/mediabase/282321/7a810eef/grootste_strandbal_ter_wereld.html
as soon as you trust your self you will know how to live
-Johann Wolfgang Von Goethe
there is always something good to say about anything
'Some people can read War and Peace and come away thinking it was a simple adventure story. Others can read the ingredients on a chewing gum wrapper and unlock the secret of the universe.'
Lex Luthor, (Superman)
"think globally, act galacticly"
ironie is volgens Kierkegaard (god hebbe z´n ziel) "oprecht veinzen" (in tegenstelling tot rik´s: ´geveinsde onwetendheid´).
Oprecht veinzen stelt de ironicus in staat zich een kleine distantie te creeëren tot z´n subject, opdat hij (en vooral anderen) deze objectiever kan beschouwen. (postieve ironie)
Deze distantie kan echter ook vervallen tot een simpele linguistische truc opdat de ironicus zich niet meer wenst zichzelf te vereenzelfigen met z´n subject (negatieve ironie)
We are what we pretend we are. Therefore the act is not an act. (Schizopolis)
Jonas Staal noemt mensen die zich verlagen tot ironie ´laf´. Straffe stelling voor een kunstenaar. Kunst is een wezenlijk ironisch taalspel, gebruikers van deze taal veronderstellen impliciet dat het kunstwerk een voorstel is van een andere werkelijkheid. Staal kan deze uitspraak enkel doen, omdat z´n andere been zich in een ander taalspel bevindt (nl. het moreel-politieke) welk andere regels hanteert.
"don´t hate, just motivate"
"Iets is alleen maar zo serieus als het werkelijk serieus is."
uit dagboek wittgenstein oktober 1931 | Mijn gedachten komen bijna nooit onverminkt in de wereld. Ofwel wordt een deel bij de geboorte verwrongen of afgebroken. Of de gedachte is hoe dan ook een ontijdige geboorte & in de taal van woorden nog niet levensvatbaar. Dan komt een kleine zin-foetus ter wereld, waaraan de belangrijkste ledematen nog ontbreken.
"Aan terreur hebben wij in de negentiende en twintigste eeuw onze portie wel vekregen.
Het nostalgisch verlangen naar het geheel en het ene en ook naar de verzoening tussen begrip en
het sensibele, naar transparante en communicabele ervaring, hebben we duur genoeg betaald.
Onder het algemene verzoek om verslapping en luwte horen we het gemompel van het verlangen
naar een nieuw begin van de terreur, naar de voltooing van het fantasma de werkelijkheid te omvatten.
Het antwoord is: oorlog aan het geheel, we moeten getuigen van het onpresenteerbare,
de geschillen verscherpen, de eer van de naam redden."
-Lyotard
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[[*video]]
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De agelasten (Rabelais´ woord voor mensen die nooit lachen), het gedachteloze van de pasklare ideeën, de kitsch, ze zijn de enige, eenvormige, driekoppige vijand van de kunst die ontstaan is als de echo van Gods lach en die de fascinerende, denkbeeldige ruimte heeft weten te scheppen waarin niemand de waarheid in pacht heeft en waarin ieder het recht heeft begrepen te worden. Deze denkbeeldige ruimte is met het moderne Europa ontstaan, ze is het beeld van Europda, of ten minste van ons gedroomde Europa, een droom waarin wij vaak bedoogen zijn uitgekomen, maar die toch sterk genoeg is om ons allen te verenigen in de broederschap die het kleine continent verre overschrijdt. Maar we weten dat de wereld waain het individu gerespecteerd wordt ( de denkbeeldige wereld van de roman en de werkelijke van Europa), kwetsbaar en vergankelijke is... als de Europese cultuur mij vandaag de dag bedreigd wordt in het kostbaarste dat ze heeft, haar respect voor het individum respect voor zijn oorsprokelijke denken en voor zijn recht op een onschendbaar privéleven, dan meen ik dat deze kostbare essentie van het Europese individualisme als in een zilveren schrijn gebed ligt in de geschiedenis van de roman, in de wijsheid van de roman.
(uit: De kunst van de roman)
Morality is our protocol for empathy.
We define morality, and also how it should be implemented.
http://hugenizer.com/dvds.htm
For me a work of fiction exists only in sofar as what I will so bluntly call ¨aesthetic bliss¨. That is a sense of being somehow, somewhere connected with other states of being, where art (curiosity, tenderness, kindness, extase) is the norm. To think of others as like ourselves in morally relevant ways.
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Onze gehele waardigheid berust op het denken. Daarop moeten wij steunen, en niet op de ruimte of de tijd, die we toch niet kunnen vullen. Laten we dus trachten goed te denken: ziehier het beginsel van de moraal.
Blaise Pascal (1623-1662)
¨Wij zien thans dat de afgrond van de geschiedenis groot genoeg is voor allen.¨(1919)
Friederich Nietschze, een meester in het formuleren van waarheden waarmee men niet kan leven maar die omwille van de intellectule oprechtheid evenmin niet mag negeren, heeft onder woorden gebracht wat de wereld als geheel voor de moderne ondernemers van de wetenschap moest worden: ´een poort tot duizend woestijen, leeg en koud´
Avant-gardisme is het vermogen om alle leden van een gemeenschap te dwingen zich uit te spreken over een voorstel dat niet voortkomt uit die gemeenschap zelf.
Groene Amsterdammer(05/06/2009): <html><a href="/wikifiles/20090605_GA-petersloterdijk-1.jpg" target="_blank">1</a>, <a href="/wikifiles/20090605_GA-petersloterdijk-2.jpg" target="_blank">2</a>, <a href="/wikifiles/20090605_GA-petersloterdijk-3.jpg" target="_blank">3</a>.</html>
Quality: a short word to indicate the best approach
"Our civilization lacks adequate images"
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‘Rechthoek’ means ‘Rectangle’ in Dutch
23-12-2003 Rechthoek.nl was launched as the digital playground of DDdW. He made a lot of scripts for this site, mainly intending that the form of the web could be perceived as an artwork itself. It featured a Mondriaan alike randomized frontpage, behind every color of that page there was a special sub-site with it’s own content (and it’s own subdomain). Featured on Rechthoek.nl were a “donate-images-for-art-uploader”, where people could donate images for art, which were later processed into new works. Rechthoek.nl also had a “prepaid-conceptual-art-webshop” where customers couldn’t actually see what they were buying, but the site had a fully working paypal terminal. A very popular subsite was zwam.rechthoek.nl which had a download package ready for people seeing this in real life.
All in all, DDdW just kept on playing around as a scriptkiddie.
This finally resulted into a wiki about art, which became DDdW’s graduation thesis (which should be restored someday/maybe).
DDdW got tired of playing with Rechthoek.nl a bit after he graduated from art school, complex and unstructured (plainly chaotic sometimes). His focus shifted to his other websites.
Since 2008 the main focus of the site is ‘content’ instead of ‘form’, ranging widely from topics about humanity, technology, art (good and bad), philosophy, and other quite amazing brain candy. It started out as blog for over one and a half year. Blogs have however a big downside: the screem for attention. DDdW kept feeding the blog daily with new content. The form became a goal instead of serving one. Now this form (TiddlyWiki) will hopefully more usefull for me.
[[Contact Rechthoek.nl]]
http://en.wikipedia.org/wiki/List_of_film_remakes_A-M
http://en.wikipedia.org/wiki/List_of_film_remakes_N-Z
Everything is what is, by virtue of it´s relation to everything else.
My principal motive is the belief that we can still make admirable sense of our lives even if we cease to have an ambition of transcendence.
The quest for purity (and perfection) is sick. Beware the man who wants purity, keep out of his way.
Truth with a capital T is like God, there is not much you could say about God. That´s why theologians talk about ineffability.
Truth cannot be out there—cannot exist independently of the human mind—because sentences cannot so exist, or be out there.The world is out there, but descriptions of the world are not. Only descriptions of the world can be true or false.The world on its own unaided by the describing activities of humans cannot.
Philosophy makes progress not by becoming more rigorous but by becoming more imaginative.
If I had to lay bets, my bet would be that everything is going to go to hell, but, you know, what else have we got except hope?
The task of the intellectual,with respect to social justice,is not to provide refinements of social theory, but to sensitize us to the suffering of others, and refine, deepen and expand our ability to identify with others, to think of others as like ourselves in morally relevant ways.
Uncertainty is the way Philosophers use the term, is a luxury concept; by reading lots of books and being uncertain about which of them you should believe.
Quoting Nabokov: For me a work of fiction exists only in sofar as what I will so bluntly call ¨aesthetic bliss¨. That is a sense of being somehow, somewhere connected with other states of being, where art (curiosity, tenderness, kindness, extase) is the norm. To think of others as like ourselves in morally relevant ways.
Het morele en het esthetische zijn niet te scheiden. Het begrip esthetisch suggereert te veel dat kunst niet relevant is voor ons handelen: autonomie en zelfontplooiing herbergt zowel moraal als esthetiek.
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on religion:<br>
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¨We are calling our reality into existence. It´s not about keeping it real, but about what would you like to be real... writing it, reciting it, and watching it manifest¨
¨Freedom of speach makes me nervous¨
¨We are not afraid of the darkness, we trust that the moon will guide us¨
inspiration database of Daniël Dennis de Wit
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href="javascript:void(0)"
onclick="story.closeAllTiddlers();story.displayTiddlers(null,store.getTiddlerText('DefaultTiddlers').readBracketedList())"
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Als de toekomst een optelsom is van wat er m´n leven in het verleden is gebeurt, dan ga ik een kankervette tijd tegemoet.
-Steen
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http://en.wikipedia.org/wiki/The_Revolution_Will_Not_Be_Televised
The Revolution Will Not Be Televised
You will not be able to stay home, brother.
You will not be able to plug in, turn on and cop out.
You will not be able to lose yourself on skag and skip,
Skip out for beer during commercials,
Because the revolution will not be televised.
The revolution will not be televised.
The revolution will not be brought to you by Xerox
In 4 parts without commercial interruptions.
The revolution will not show you pictures of Nixon
blowing a bugle and leading a charge by John
Mitchell, General Abrams and Spiro Agnew to eat
hog maws confiscated from a Harlem sanctuary.
The revolution will not be televised.
The revolution will not be brought to you by the
Schaefer Award Theatre and will not star Natalie
Woods and Steve Mcqueen or Bullwinkle and Julia.
The revolution will not give your mouth sex appeal.
The revolution will not get rid of the nubs.
The revolution will not make you look five pounds
thinner, because the revolution will not be televised, Brother.
There will be no pictures of you and Willie May
pushing that shopping cart down the block on the dead run,
or trying to slide that color television into a stolen ambulance.
NBC will not be able predict the winner at 8:32
or report from 29 districts.
The revolution will not be televised.
There will be no pictures of pigs shooting down
brothers in the instant replay.
There will be no pictures of pigs shooting down
brothers in the instant replay.
There will be no pictures of Whitney Young being
run out of Harlem on a rail with a brand new process.
There will be no slow motion or still life of Roy
Wilkens strolling through Watts in a Red, Black and
Green liberation jumpsuit that he had been saving
For just the proper occasion.
Green Acres, The Beverly Hillbillies, and Hooterville
Junction will no longer be so damned relevant, and
women will not care if Dick finally gets down with
Jane on Search for Tomorrow because Black people
will be in the street looking for a brighter day.
The revolution will not be televised.
There will be no highlights on the eleven o'clock
news and no pictures of hairy armed women
liberationists and Jackie Onassis blowing her nose.
The theme song will not be written by Jim Webb,
Francis Scott Key, nor sung by Glen Campbell, Tom
Jones, Johnny Cash, Englebert Humperdink, or the Rare Earth.
The revolution will not be televised.
The revolution will not be right back after a message
bbout a white tornado, white lightning, or white people.
You will not have to worry about a dove in your
bedroom, a tiger in your tank, or the giant in your toilet bowl.
The revolution will not go better with Coke.
The revolution will not fight the germs that may cause bad breath.
The revolution will put you in the driver's seat.
The revolution will not be televised, will not be televised,
will not be televised, will not be televised.
The revolution will be no re-run brothers;
The revolution will be live.
[[Tiddlywiki|http://www.Tiddlywiki.com]] is the system the new rechthoek.nl is based ond.
A wiki in a single file (which you can save with your browser to anywhere, put on a USB stick for example). Once you´ve downloaded this file, you can edit it yourself! And add or remove content.
more info:
http://www.tiddlywiki.com
You have reached the underground layer of DDdW.org called [[Rechthoek.nl]]
The place where my conscience meets up in battle with my sub-conscience.
This site is dedicated solely for the use of DDdW, however he´s kind enough to let you look over his shoulder. Parts of this website is in Dutch, I will not make any efforts to translate these. You can recognize them by there tag [[*NL]].
We just started out recently in this format... and there will be added stuff pretty much every day.
Follow our [[feed|http://www.rechthoek.nl/rss.xml]].
Were you looking for the old video-blog? It´s discontinued, but it is archived [[here|http://www.rechthoek.nl/content/chronologics/]]
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Type the text for 'excludeLists'
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"socialistische cultuurpolitiek" by a discussiongroup of the NewLeft movement in the Dutch labour Party PvdA (february 1969). Read this: "(...) Kunst die verouderde vormen aantast en nieuwe vormen ter discussie stelt moet gestimuleerd worden". What will somehow say in English: Art which will tare down the old ways and forms has to be stimulated..."
Type the text for '~import'